The New York Times bestselling author of Girls & Sex and Cinderella Ate My Daughter delivers her first ever collection of essays-funny, poignant, deeply personal and sharply observed pieces, drawn from three decades of writing, which trace girls' and women's progress (or lack thereof) in what Orenstein once called a "half-changed world." Peggy Orenstein is one of the most prominent, unflinching feminist voices of our time. Her writing has broken ground...

Glimpse behind the façade of rich and famous women The Grass Isn't Greener on the Other Side: Heiresses have always been viewed with eyes of envy. They were the ones for whom the cornucopia had been upended, showering them with unimaginable wealth and opportunity. However, through intimate historical biographies, Women of Means shows us that oftentimes the weaving sisters saved their most heart-wrenching tapestries for the destinies of wealthy women. Happily...

This fascinating film follows the physically grueling and mentally exhausting training regimen of several young wanna-be GAEA GIRLS, a group of Japanese women wrestlers. The idea of them may seem like a total oxymoron in a country where women are usually regarded as docile and subservient. However, in training and in the arena, the female wrestlers depicted in this film are just as violent as any member of the World Wrestling Federation, and the blood...

Nerdy women - the "hidden half" of fan culture - open up about their lives in the world of conventions, video games, and other rife-with-misogyny pop culture touchstones. While geek communities have recently risen to prominence, very little attention is paid to nerdy women. Filmmaker Gina Hara, struggling with her own geek identity, explores the issue with a cast of women who live geek life up to the hilt: A feminist geek blogger, a convention-trotting...

This is the story of filmmaker Esther Eng, the first woman to direct Chinese-language film in the US, and the most prominent woman director in Hong Kong in the 1930s. A San Francisco native and open lesbian, her contribution to film history is sadly overlooked and her 11 feature films mostly lost. After the retirement of director Dorothy Arzner in 1943 and before Ida Lupino began directing in 1949, Eng was the only woman directing feature length films...